Wednesday, January 19, 2011

Poesies

Jean-Paul Pages, Janvier 2006




J'ai deux soleils dans ma vie
Alexandre et Nathalie
Rayonnant de la frequence
De cet amour infini
Qui tous les etre unit
En transpercant leurs defenses


Si bien qu'au fond je me dis:
Ils sont la preuve vivante
Que la Vie intelligente
Cree ici le paradis


Et qu'il suffit d'observer
Pour voir mon coeur s'abreuver
De la tendre certitute
Qu'il n'est nulle solitude


Ainsi malgre les apparences
Rien ne me fonde a douter
Du sens et de la beaute
De ma presente existence


Merci o merci mes enfants
D'exprimer tant de joie de vivre
Vous ravivez pour vos parents
L'etincelle gui les delivre
Elle fuse a travers vos yeux
Et votre sourire radieux


Translation:

John Paul Pages, January 2006


I have two suns in my life
Alexandre et Nathalie
Radiating in the frequency
This infinite love
Which unites all be
By piercing their defenses


So that inside of my heart I say:
They are living proof
That Intelligent Life
Here Created paradise

And it is enough to observe
To see my heart quench itself
With the tender certitute
That there is no loneliness


So despite appearances
I have no basis to doubt
The meaning and beauty
From my present existence


Thank you, O thank you my children
For expressing such joy of living
You revive your parents
The spark issued the mistletoe
She bursts through your eyes
And your radiant smiles



My (Response?) Poem
Mon pere!
Seulment si j'avais le vocabulaire infini, des modes pour t'exprimmer
Mon amour:
Impossible, 
Immortel.

Tu est les rayons de lumiere qui eclairsi le monde en pleine nuit
Les notes parfaites qui sortent de la tere
Mon pere!
Sans tes touches magnifique,
Les soleils dans ta vie, trops vite-fini
S'elionnent de tout les peuples
L'heure est L'hiver

O mon pere!
Je suis ta deuxieme joie, la moitee de tes soleil
Tu est ma seule rainson
Je suis ton deuxieme
Tu es mon premier et mon dernier
Papa, papa, papa

Mon amour:
Impossible, 
Infallable
Immortel.

Tu est les rayons de lumiere qui eclairsi le monde en pleine nuit
Les notes parfaites qui sortent de la tere
Mon pere!
Sans tes touches magnifique,
Les soleils dans ta vie, trops vite-fini
S'elionnent de tout les peuples
L'heure est L'hiver

O mon pere!
Je suis ta deuxieme joi, la moitee de tes soleil
Tu est ma seule rainson
Je suis ton deuxieme
Tu es mon premier et mon dernier
Papa, papa, papa

Translation:

My father!
If only I had an infinite vocabulary, a million ways to express to you
My love:
Impossible, 
Immortal.

You are the rays of light that illuminate the world in the middle of night
The perfect notes emerging from the earth
My father!
Without your magnificent touch
The suns in your life-who's end premature-
Retreat from all people
The hour is now winter.

Oh, my father!
I am your second joy, the half of your suns
You are my only reason
I am your second
You are my first, my last
Papa, papa, papa.

Wednesday, January 5, 2011

THE EPICLY AMAZING TRIPLE WHAMMY BLOG POST!

Hmm. So after a wonderful breakation (vacation within a break). I come home, ready to write a new blog post, and bask in my happiness, only to find-TWO OF MY BLOG-POSTS HAVE BEEN DELETED.
Either:
a) my computer didn't actually post them, because my computer is just old and terrible, and gets viruses like every three months.
b) the blog monster ate my posts.
c) toast.
(I'm pretty sure the reason is toast, but it also could be unicorns. But unicorns isn't an option, so I doubt it.)

HOWEVER! I have a plan:
MAKE AN EPICLY AMAZING TRIPLE WHAMMY BLOG POST!
In which-
-I rewrite my two lost blog posts, and write this week's post.
-I eat baby carrots while writing, to get my creative juices flowing.
-I try to talk about unicorns as often as possible.'


So. Post one:

Maximus Ride-The Angel Experiment:

Oh. Oh dear. This book. I actually don't know how to feel about it. I think it's borderline guilty pleasure, because the entire time I was reading, I kept noticing how much I disagreed with the way James Patterson portrayed kids around my age, and how I didn't like the book. But somehow, I couldn't. Stop. Reading.
I think it was a nice escape, a fantasy, and some of it was actually interesting. I think that even though the story itself wasn't that great, the deeper messages were actually really interesting.
For example, Max (the main character) has this talking voice in her head, and he's kind of like the narrator of the story's deeper meanings. He's always asking questions, and making insightful comments about situations in the book. And as annoying and unnecessary as it really was, I do like one thing that it said:
"Is it important to be right, or is it important to do what's right?"

That stuck with me throughout the story. Max goes on this adventure, where she's trying to kill evil dog creatures and escape evil scientists and save the world from evil stuff. (It's all...evil.) And the entire time, I'm trying to understand what's really 'right' to do, in this story. I mean, one thing that's really interesting is that you don't know much about the 'enemies'. They're evil scientists, according to Max, but are they really evil? Is Max right? How can you know what's right, if you've got the story wrong?

At some point in the book, one of the scientists says 'You've got it all wrong-YOU'RE the bad guys!'. That really shook me. I mean, I think in order to do what's right, you have to BE right first. You need to, you know, know what's going on. But when does being aware become being right? When do you go from knowing what's right, to BEING right? What does that even mean, being right. I doubt that you can only be right, or only do what's right. Don't you have to be right, to do what's right?

Maybe, what the writer means is, doing what's right can often times mean doing bad things. So you can't be right, if you're going to be a hero. You have to be prepared to do bad things, to do 'wrong' things.  It kind of reminds me of unicorns, or spiderman. In Spiderman, the Daily Bugle is always calling Spiderman a villain. Granted, they're a newspaper, they're just trying to make money, but I think that people always kind of hate the good guy. Maybe because it's easier to sympathize with an underdog, but maybe also because the hero DOES have to do some nasty things, for the greater good.

My question is, how much can we sacrifice before the greater good isn't worth all the bad things we do to acheive it? When does the greater good become less important than what we're sacrificing? When someone has to die, two people, a hundred? When is it no longer okay? I think that's more a question of personal ethics. It's different for everyone. I think that's why ''heroes'' have a hard time being liked/accepted. Because some people feel that what they're doing is wrong.

But hey, they're still saving the world. And unicorns.


Blog Post TWO! Catcher in the Rye.

This book. I can't decide whether I hate it or not, either. But in a different way. I really liked that there wasn't really a plot to the book. There wasn't a main issue, or whatnot. But I also hated that. It made it harder to find the big meaning in this book. At the same time, it made it a lot easier. Instead of one big major issue, there were lots of little ones scattered around the book.

But the one thing you can always count on is Holden Caulifield's character. He's always the same person. I mean, there's a definite change in him, from begining to end. He gets more mature, sure. But he's really predictable. ...In a good way. It's kind of like, you know him. He's very realistic. And I like that. So when Holden's at his old teacher's house, and he wakes up to find the teacher patting Holden's head/ running his fingers through Holden's hair, I wasn't at all surprised that Holden freaked out.

I doubt that the teacher was actually trying to do anything, but it makes me think about Holden. He was so scared and shaken about that incident, and really thought that the teacher was ''approaching'' him, even though it was highly improbable. It kind of shook me, to think about how easily people jump to assumptions like that.

I mean, it happens to all of us in real life. We just jump to absurd conclusions. We suddenly make the decision to believe something that's totally unrealistic. Why is that? Who do we blame it on? Another media stunt, where we're so stuffed with ideas of how to think, what to think, what decides whether something is or isn't something? Or could it be that we're influenced by other people?
Maybe it's just us.

Maybe WE'RE guilty. We're the blame. WE stereotype. And WE make assumptions and WE are overreacting. But that still doesn't explain WHY we do this. Sure, it's are own reaction, our own problem. But what sparked it? What sparked this initial need to understand everything, to figure out the scenario before really taking the time to know both sides? Holden could have easily asked what his teacher was doing, tried to understand why he was doing it. Instead, he jumped up, freaked out, and left.  I don't get that.
Was it adrenaline? Simple stupidity? Ignorance?

Maybe Holden was just acting in the moment. He was scared, and didn't have time to think rationally. Honestly, I sometimes wonder if Holden DOES ever think rationally. I kind of admire/resent Holden's impulsive ways. Failed out of school again? GO RUN WILD THROUGH THE STREETS OF NEW YORK FOR THREE DAYS! Don't want to go back home? PLAN ON MOVING TO A REMOTE TOWN, WORKING AT A GAS STATION AND PRETEND TO BE DEAF SO NO ONE TALKS TO YOU! Bored, depressed? BUY A FIVE DOLLAR PROSTITUTE! It's kind of amazing, he gets to live his life so much that way. Just doing what he feels like, without really thinking it all through. One thing I noticed however, was how lonely he seemed to be.

Throughout the book, Holden was always talking about how ''depressed'' he felt, or how lonely. He was surrounded by people, but still felt so alone and sad. Isn't that creepy? I can see what he means though. I get the feeling. I think it's more that he couldn't really identify with anyone. Even that girl that he went to lunch with-Sally. He was talking about how great she was, and then realized that she was ''phony'' and totally not the kind of person he liked. I think that it's important to surround yourself with people you actually enjoy, or can relate to. That's probably why Holden hated his old school-his roommate wasn't like him, nor were any other kids. I'm not saying that you have to find someone who's just like you, or you'll be lonely and depressed all your life. I just think that maybe, you need to be around people you can enjoy, people you actually genuinely like if you don't want to start feeling lonely, or lost.

Actually, I think that the one thing that follows Holden from beginning right to almost the very end is his loneliness, or sadness. I think that even  if this isn't the moral of the story, Holden was finding himself in a way. He was going home. To his parents, his sister, his actual house. He needed that. Without it he was just a sad kid lost in a big city. He isn't ready to go out into the world alone. He's still young. And he needed to get back home. I'm not saying that he isn't equipped physically-he did okay. But I think that being alone at such a young age kind of got to him. I don't think he was ready yet, for whatever reason.

I don't think anyone is.
What do you think? I mean, maybe I'm totally wrong. Maybe I don't understand Holden Caulifieled at all, and I've totally messed up with this book response.

 I think Catcher in the Rye is the type of book that's sort of debatable, because it's so different and normal. I think I actually loved it.

Also, my computer keeps freezing, so the final part of this triple blog post will come tomorrow, because I'm scared it won't save. Stay gold, ponyboy!




I'm sorry, I just always wanted to say that.